Tuesday, March 29, 2011

Hewwo Muddah, Hewwo Faddah


As we continue working with those battling Alzheimer's and MCI, recalling past memories has proven a jackpot of words. Last week, we started with a simple prompt of, "I remember my mother...I remember my father..."

If you don't read much Sandra Cisneros (one of many great Texas writers), you should. Her writing is not always beautiful but it's unfailingly wonderful and real. When I read her work, for some reason I feel she does very little self-editing. She just says it:

Papa Who Wakes Up Tired in the Dark

Your abuelito is dead, Papa says early one morning in my room. Esta muerto, and then as if he just heard the news himself, crumples like a coat and cries, my brave Papa cries. I have never seen my Papa cry and don't know what to do.

I know he will have to go away, that he will take a plane to Mexico, all the uncles and aunts will be there, and they will have a black-and-white photo taken in front of the tomb with flowers shaped like spears in a white vase because this is how they send the dead away in that country.

Because I am the oldest, my father has told me first, and now it is my turn to tell the others, I will have to explain why we can't play. I will have to tell them to be quiet today.

My Papa, his thick hands and thick shoes, who wakes up tired in the dark, who combs his hair with water, drinks his coffee, and is gone before we wake, today is sitting on my bed.

And I think if my own Papa died what would I do. I hold my Papa in my arms. I hold and hold and hold him.

Carl wrote about his father:

I remember my father as a strong and powerful man.

He was strong in his opinions and support. He knew that the French were the cause of all the German people’s problems, if not the cause of all the world’s problems. He also defended me from abusive authority figures, high school principles, or bullies. He taught me how to defend myself. Yet, he always had a soft, large heart.

My father was powerful physically. He could work hard in his garden all day and still have energy for a full night as a punch press operator. I love my father.

Something about hearing those last four words from Carl struck me. Maybe it was his dignified voice that boomed like the walls of a canyon. Maybe it was his long, white beard. I'm not sure. But it reminded me that no matter how old we get, we are always someone's child. What a simple thing to forget. Like it or not, those who brought us here can never be un-parented.

I think Oscar Wilde said it best:

Children begin by loving their parents. As they grow older they judge them. Sometimes, they forgive them.

I remember my dad was always the best at getting splinters out from the soles of my feet. He took the task very seriously: narrowed eyes looking through glasses at the bottom of his nose. By his furrowed brow, you'd think his internal dialogue was something like, "Clip the red wire. Only the red wire...or was it the green wire?" Even now, I am amazed at how such a large man could be so ginger in handling my little be-splintered footsies. Like water balloons that might otherwise burst in the wrong hands.

I remember folding laundry with my mom. This was something passed down from her own mother– folding laundry together was a time to chat and catch up. Mom would dump the clean clothing onto the sofa and we would set to folding it all for placement in the basket. Sometimes there would be something on TV, sometimes not. But she would sit there –back perfectly erect in that posture particular to ballet troupes and my humble mother– and her expert hands would send the smell of warm cotton up and into the room. The best part was always putting clean linens on mom and dad's bed, when she would hold on to two corners, before letting the flat sheet fly. My little sister and I would dash underneath as the sheet billowed down on us. I thought that must be what it felt like to fall from the sky, parachute all around.

I like that Carl said, "I love my father." Present tense. That love will always be present tense.

I may not ever have a booming voice, but someday I too will be very old. I will have long, white hair. And still I will say, "I love my father. I love my mother."

Sunday, March 27, 2011

How not to write.


I spend a lot of time writing and editing. An inordinate amount, really. As of late, I've been editing submissions for a small publication here in town, both fiction and non-fiction. I also have to say here that I am utterly stunned at people whose life goal is to finish their Master's and pursue a PhD, yet cannot construct a sentence. I mean, it's bad. Astonishingly bad. I know a guy –nice guy– who is on that particular path, and wears the same, sweaty, Grateful Dead t-shirt every week and is about as articulate as an uncooked chicken wing. That is to say, not very. Yet PhD is on his list of attainable goals. Huh? I once seriously considered a doctorate, but decided against it. I think most people should, in the interest of societal decency. But I digress.....I am always learning –and not the perfect writer, by any stretch– but allow me to recommend some things to writers submitting for publication:

  • One exclamation point is enough. Actually, don't use them at all. Really. "I couldn't believe it!!!!!!!!! I got a pony for Christmas!!!!!!!" Is never a good idea. In fact, I try to avoid exclamation points at all costs, even in dialogue. Your writing should create a tone and voice without needing that much help.
  • Don't give me a prologue, timeline, or excessive detail. Does it really matter that it was Thursday, May 24, 1971? Probably not. Or perhaps you could work this into the story via scene setting? Please? Also, it probably doesn't matter that the narrator makes six dollars an hour and spent three dollars on breakfast and has $936 in savings. Listing these things is especially bad. I. Don't. Care.
  • Show me, don't tell me. I'm so sorry to hear that Johnny was devastated. Now what else are you going to say for 4,000 words? Show me devastation in facial expressions, dialogue, physical movements, internal dialogue. Anything but one solitary sentence.
  • Don't tell a story from the point of view of an animal.
  • Don't write your entire story in italics. It gives me head-hurt.
  • Don't use the same distinctive adjective twice in one paragraph. It probably wouldn't hurt to put an entire page between them, in fact.
  • Cliches are ok, as long as you put a new spin on them with dynamic characters...but then they wouldn't be cliches, would they? I know the little girl who's daddy ignored her will grow up to be an alcohol-addicted-attention-whore. I get it.
  • Never put words in all caps. I know Elizabeth Gilbert did it in Eat. Pray. Love. and she's laughing all the way to the bank, true, but it still annoyed the shit out of me when she did it. Please see bullet #1 re: exclamation points. PLAIN OBNOXIOUS.
  • Run-on sentences and fragments are excellent. But only if you know what you're doing. Proceed with caution.
  • Listen up, literary journalists: I adore you. I am one of you. We get to be more subjective than news journalists. But please, please avoid going into an overly-emotional diatribe. For god's sake keep your writing clean, tight, and focused. Thank you.
  • Most importantly: remember, all rules are meant to be broken.

Thursday, March 10, 2011

Oranges, and ice cream, and snow skis, and time.


Usually, I don't post an entire poem if it's especially long, but this one (from our workshop last week) is too good. Besides, it's dead without all the moving pieces:

Oranges
By Gary Soto

The first time I walked
With a girl, I was twelve,
Cold and weighted down
With two oranges in my jacket.
December. Frost cracking
Beneath my steps, my breath
Before me, then gone,
As I walked toward
Her house, the one whose
Porch light burned yellow
Night and day, in any weather.
A dog barked at me, until
She came out pulling
At her gloves, face bright
With rouge. I smiled,
Touched her shoulder, and led
Her down the street, across
A used car lot and a line
Of newly planted trees,
Until we were breathing
Before a drugstore. We
Entered, the tiny bell
Bringing a saleslady
Down a narrow aisle of goods.
I turned to the candies
Tiered like bleachers,
And asked what she wanted–
Light in her eyes, a smile
Starting at the corners
Of her mouth. I fingered
A nickel in my pocket.
And when she lifted a chocolate
That cost a dime,
I didn't say anything.
I took the nickel from
My pocket, then an orange,
And set them quietly on
The counter. When I looked up,
The lady's eyes met mine,
And held them, knowing
Very well what it was all
About.

Outside,
A few cars hissing past,
Fog hanging like old
Coats between the trees.
I took my girl's hand
in mine for two blocks,
Then released it to let
Her unwrap the chocolate.
I peeled my orange
That was so bright against
The gray of December
That, for some distance,
Someone might have thought
I was making a fire in my hands.

We started with the prompt, "I remember..." pretty simple, but effective. We asked what this poem reminded them of. A group with memory/cognitive challenges means we frequently go completely off the tracks, but that's ok–

Carl remembered the prestige of having a nickel in your pocket -all the candy you could buy- and an old ice cream maker on a summer day (like I said, we get off track). For those of you who have no idea what such a thing looks like, please see photo above. Some of my fondest childhood memories are churning ice cream. Only ours was kind of wonky, so one of the younger children (read: me or my baby sister, Clare) had to sit on top of the churn while it was being cranked. We'd fold up a swim towel so our butt cheeks wouldn't freeze. This story made Carl laugh. He has a good laugh, like a story book.

Lee told us about a time he was skiing in Switzerland and got lost. He ended up crossing the border into Italy. I've spent a significant time living in places where I plainly do not belong, speak the language, or know how to count the currency. My first trip to Amsterdam, I wandered into the Red Light District where I was offered cocaine and a chance to prostitute myself. I think maybe snow skiing into the Italian Alps would have been nicer.

I'm listening to these stories and wondering if it's just me, or are some of the participants looking older? I swear Vic is suddenly aging, but still I hope it's just me. I want these people to be timeless, to go nowhere. Because they may not always stay on task, but what they remember is golden to me. Golden because it reminds me that sometimes life isn't about sticking to the path. It's about getting lost and figuring it out. And if we didn't get lost, would our paths ever cross?

It's about sharing the story. It's about ice cream churns. It's about all those lovely, simple things that tie us together. The memories that maybe have nothing to do with anything, or nothing to do with each other but –across generations– make us laugh nonetheless. It's about oranges, and ice cream, and snow skis, and time.

That is what it's about.



Tuesday, March 8, 2011

Intuition.


This morning, I spent two hours with an intuitive. *cue my parents rolling their eyes* I won't go into all the details, but I will say I left feeling energized, confident, inspired and lighter. Mostly, I just listened to what she was sensing, but she did ask me a couple things. Without being prompted, she felt strongly I had a connection to Africa and should return soon. I told her I had wanted to do return this year, but "put it on the back burner" as they say. She asked what I was afraid of. I told her I am afraid of failure, of shaky finances. She asked me for evidence.

"Evidence of what?" I said.

"Evidence that you can't. Evidence that you cannot create and do. Evidence that it cannot be."

I was stumped. There is no evidence.


...here's a short bit she left with me, and I think we could all use it:


TRANSITION

Don't resist your destiny.
Don't fight your way to it.
Tell the universe you are ready and waiting for what is next.
Then surrender.
Be still and listen.
Allow a moment of quiet everyday so you can hear.
Be ready.
Be open.
Allow and create.
If you meet resistance or experience pain, you veered off path.
Stop and listen again and again.
Move only when it is time.
There is no need to run to or from.
Float to what is next.
Invite in your destiny and then practice gratitude with grace.

Wednesday, March 2, 2011

Color me pretty.


As a kid, I entered the 5th grade science fair. My experiment was a foray into psychology. I titled my project, "What Color is Your Mind?" and set out to study color associations in the human brain. I took several large pieces of colored paper and would asks subjects to say the first word that came to mind with each color. I wanted to see if any trends emerged. For a ten-year-old, I felt pretty darn ahead of the curve. Innovative even. But I didn't win. In fact, I'm pretty sure I was beat by some asshole whose parents made an erupting volcano with baking soda and vinegar.

Last Thursday, we talked about color in our workshop. Here is an excerpt from the poem, Colors Passing Through Us, by Marge Piercy:

Here is my bouquet, here is a sing
song of all the things you make
me think of, here is oblique
praise for the height and depth
of you and the width too.
Here is my box of new crayons at your feet.

Green as mint jelly, green
as a frog on a lily pad twanging,
the green of cos lettuce upright
about to bolt into opulent towers,
green as Grand Chartreuse in a clear
glass, green as wine bottles.

Blue as cornflowers, delphiniums,
bachelors' buttons. Blue as Roquefort,
blue as Saga. Blue as still water.
Blue as the eyes of a Siamese cat.
Blue as shadows on a new snow, as a spring
azure sipping from a puddle on the blacktop.

Cobalt as the midnight sky
when day has gone without a trace
and we lie in each other's arms
eyes shut and fingers open
and all the colors of the world
pass through our bodies like strings of fire.

We wrote about colors and emotions. Wayne chose red:
"Oh, to be red! Burning bright with excitement for yesterday, today, tomorrow...striking out for adventure. Red."

I hope we all have a little bit of Red in us. I think back to my science experiment so many years ago and realize that I also narrowly lost the 5th grade spelling bee. Everyday that year, I would read and memorize one page from the spelling bee book. Every single day. I loved words, I loved spelling, and I really wanted to win. I got into the top five. I'll never remember what word struck me out (although I'm pretty sure it had at least eleven syllables and a couple silent Xs) but the kid after me stayed in thanks to the word "crutch." I couldn't believe it. Crutch. What a jerk.

So sure, maybe my life has had more than a few near-wins –or complete failures– as most would say. But you learn to keep on. You learn to continue burning bright with excitement for yesterday, today, tomorrow. To keep striking out for adventure.

You learn to be Red.