Showing posts with label writing. Show all posts
Showing posts with label writing. Show all posts

Friday, September 2, 2011

No.


GAAAAAAAAAAH. Let me paint a picture for you of a less-than-ideal situation:

  • Writer completes assignment, 3 days under deadline. Coming in under deadline means life is good: Writer smiles. Believes again in the magicalness of it all, that fantasies can be real-- Santa, Tooth Fairy, an actually funny episode of Glee.
  • 72 hours later, 4:00 pm on a holiday weekend Friday, Writer receives email from editor to this effect: "really liked your piece, but the lead felt contrived and doesn't get to the heart of your story. We really need to hook the readers...do you have a colorful anecdote from your source that you could inject into the story? I'll need the rewrite by Tuesday."
  • Writer then has desire to morph into killer kitty, complete with machine gun and wall of flames. Just kidding. Not really...
Now of course, I'll have the rewrite completed by 5:00 this afternoon (over achiever for life) and I'll send it along with a cheery note of how pleased I am to be of help! When really, I want to explain that no, I do not have a "colorful" anecdote from my source. Because in fact, I'm pretty sure the person I talked to was actually the color gray. Seriously, put me on the phone with a ding-dang-ol' Crayola and I would have gotten more lively material [SEE: post on 'How Not to Phone Interview] And because I would rather read a Dan Brown book [SEE: scraping out my eyeballs and brain cells with a shrimp fork] before calling the nincompoop non-conversationalist again, I will spin a magical tale of greatness from absolutely no new pieces of information.

In other words, I will employ my personal mission statement:

If you can't dazzle them with brilliance, baffle them with bullshit.

Wednesday, August 24, 2011

How not to phone interview.


Goodness me, you're on a flip-phone! That's even more appalling than your terrible interview answers!

The month is closing, which means my deadlines are looming. Usually, I walk around the corner and set-up shop at
Flightpath Coffee (they make a mean Americano) in the mornings. But today, I had a phone interview and because I a) try to be professional and b) refuse to be that person talking loudly into a cell phone while in a public space, I'm working from home.

To accomplish said phone interview, I had to barricade myself into the office. The door doesn't properly close and it took all of 3 seconds for a couple of noses to appear, wedging themselves in the doorway and breathing loudly. My dogs will stop at nothing to be in a room with people. Their emotional dependency is truly astounding.

Mom? MOM?! I know you're in there! MOM! Wait..green carpet. Really??

At any rate, after I piled up a bin of Christmas ornaments and a couple boxes of spare kitchen tiles (where did these come from?) I settled in. While I prefer in-person interviews (conversation flows more naturally and you get all the great nuances in tone and body language) they're not always time-efficient and they don't work when your subject is 200+ miles away. Even so, phone interviews don't have to be all that bad....

Unless
you do any of these things:
  • Pick your nose: Okay, okay, I'm not sure anyone has actually done it but I think it's happened before. I can just feel the nose picking through the phone.
  • Surf The Interwebs, check your email, Twat (Twit? What the hell is it anyway?), check-in on Four Square (again I ask, what the hell is it anyway?) etc. I should not hear clicking from your end of the phone. It is not allowed. Unless you live in a magical typewriter factory where the machines operate themselves, the only typing sound should come from me, and that's only because I'm taking down (word for word) the drivel coming out of your mouth.
  • Pace around incessantly. I'm guilty of pacing while on the phone. I get it, really I do. But if you're walking around your house/office/local high school track at such a brisk clip, you become difficult to understand and worse, I become uncomfortable at your heavy breathing.
  • If we agree on a 10:00 a.m. interview time and I call you at 10:00 a.m. sharp, at least try to muffle the sound of your sheets as you answer the phone. I know you are still in bed. Oh, and I also know that "can you call me back in ten minutes?" Is really code for, "sorry, although your magazine is profiling me, I didn't feel it necessary to set my alarm clock for 9:55. Why do that when I have a writer to call and wake me?! hah! But now that I am awake, I've really gotta pee and have a quick glass of water to hide my gross-morning-voice, k?"
  • When I do call you back ten minutes later, don't be outside or in the car with your windows rolled down. I shouldn't have to point out that you sound like you're in a wind tunnel.
  • Finally, don't be wildly unprepared. Please? I always give a generous 48-hour+ notice and the specific topic of the feature/interview. Perhaps I should start giving detailed lists of every single softball question that's coming your way. Honestly, when I tell you the interview will be about how you spent your summer raising champion golden unicorns, I shouldn't have to sit through you 'umming' and 'ahhhing' when I ask you to tell me about a typical day raising champion golden unicorns. Just sayin. Yes, I know that while I know how to talk in copy/sound bites and enjoy public speaking, not everyone does...still, try to help a sister out, will ya? Because what should be a breezy 250-word article is now like pulling teeth for me.
Why, yes! I did spend my summer raising champion golden unicorns! Let me tell you all about it...

Please take these 6 lessons and learn from them... Because every time a phone interview goes well, a journalist gets it's wings.


Wednesday, April 6, 2011

Ship in a bottle.


Sometimes, these guys just make me laugh. After the success of our mother/father prompt, we continued with mothers, grandmothers or other important women. One of our participants was sure to let us know that "Men are complicated. Women are incomprehensible." Fair play.

Carl told us about his grandmother:

She was a devoted, rigid Mennonite who never touched a drink in her life. She made homemade dandelion wine for medicinal purposes only. Grandma only drank it when she was sick. She seemed to have a cold year-round.

Gene told us about his mother, who traveled alone across the Atlantic Ocean at the age of 12. I believe she was coming from Lithuania. She wore a card around her neck with all of her information, in case of accident.

I hear about Gene's mother and I wonder about our own voyage. I wonder about the journeys of this group around me. What happens when our mind sails off? Are the waters uncharted? How do we navigate a ship we once knew so well, that seems intent on betraying us?

When we struggle to remember names, faces, if we took our morning pills, what then? Who do we become? Are we the ship in the bottle, isolated, trapped, alone, solitary? Or are we out in the open, tossed among the waves? Is there a lighthouse to guide us home?

I have heard before that caring for someone with Alzheimer's is a dual-death. First, the person you knew dies as their brain function and memory fail. At some point, comes the death of the body. It is agonizing.

I also choose to believe it is hopeful. Because some day my mind and body will also die. Maybe suddenly, maybe not. But when the time is right –the winds strong and waters calm– my mighty sails will billow up. And while there will be many people mourning on the shore tearfully saying, "There she goes" as I sail away, somewhere on the other side –on a distant shore– there will be others saying, "Oh! Here she comes."

Tuesday, March 29, 2011

Hewwo Muddah, Hewwo Faddah


As we continue working with those battling Alzheimer's and MCI, recalling past memories has proven a jackpot of words. Last week, we started with a simple prompt of, "I remember my mother...I remember my father..."

If you don't read much Sandra Cisneros (one of many great Texas writers), you should. Her writing is not always beautiful but it's unfailingly wonderful and real. When I read her work, for some reason I feel she does very little self-editing. She just says it:

Papa Who Wakes Up Tired in the Dark

Your abuelito is dead, Papa says early one morning in my room. Esta muerto, and then as if he just heard the news himself, crumples like a coat and cries, my brave Papa cries. I have never seen my Papa cry and don't know what to do.

I know he will have to go away, that he will take a plane to Mexico, all the uncles and aunts will be there, and they will have a black-and-white photo taken in front of the tomb with flowers shaped like spears in a white vase because this is how they send the dead away in that country.

Because I am the oldest, my father has told me first, and now it is my turn to tell the others, I will have to explain why we can't play. I will have to tell them to be quiet today.

My Papa, his thick hands and thick shoes, who wakes up tired in the dark, who combs his hair with water, drinks his coffee, and is gone before we wake, today is sitting on my bed.

And I think if my own Papa died what would I do. I hold my Papa in my arms. I hold and hold and hold him.

Carl wrote about his father:

I remember my father as a strong and powerful man.

He was strong in his opinions and support. He knew that the French were the cause of all the German people’s problems, if not the cause of all the world’s problems. He also defended me from abusive authority figures, high school principles, or bullies. He taught me how to defend myself. Yet, he always had a soft, large heart.

My father was powerful physically. He could work hard in his garden all day and still have energy for a full night as a punch press operator. I love my father.

Something about hearing those last four words from Carl struck me. Maybe it was his dignified voice that boomed like the walls of a canyon. Maybe it was his long, white beard. I'm not sure. But it reminded me that no matter how old we get, we are always someone's child. What a simple thing to forget. Like it or not, those who brought us here can never be un-parented.

I think Oscar Wilde said it best:

Children begin by loving their parents. As they grow older they judge them. Sometimes, they forgive them.

I remember my dad was always the best at getting splinters out from the soles of my feet. He took the task very seriously: narrowed eyes looking through glasses at the bottom of his nose. By his furrowed brow, you'd think his internal dialogue was something like, "Clip the red wire. Only the red wire...or was it the green wire?" Even now, I am amazed at how such a large man could be so ginger in handling my little be-splintered footsies. Like water balloons that might otherwise burst in the wrong hands.

I remember folding laundry with my mom. This was something passed down from her own mother– folding laundry together was a time to chat and catch up. Mom would dump the clean clothing onto the sofa and we would set to folding it all for placement in the basket. Sometimes there would be something on TV, sometimes not. But she would sit there –back perfectly erect in that posture particular to ballet troupes and my humble mother– and her expert hands would send the smell of warm cotton up and into the room. The best part was always putting clean linens on mom and dad's bed, when she would hold on to two corners, before letting the flat sheet fly. My little sister and I would dash underneath as the sheet billowed down on us. I thought that must be what it felt like to fall from the sky, parachute all around.

I like that Carl said, "I love my father." Present tense. That love will always be present tense.

I may not ever have a booming voice, but someday I too will be very old. I will have long, white hair. And still I will say, "I love my father. I love my mother."

Sunday, March 27, 2011

How not to write.


I spend a lot of time writing and editing. An inordinate amount, really. As of late, I've been editing submissions for a small publication here in town, both fiction and non-fiction. I also have to say here that I am utterly stunned at people whose life goal is to finish their Master's and pursue a PhD, yet cannot construct a sentence. I mean, it's bad. Astonishingly bad. I know a guy –nice guy– who is on that particular path, and wears the same, sweaty, Grateful Dead t-shirt every week and is about as articulate as an uncooked chicken wing. That is to say, not very. Yet PhD is on his list of attainable goals. Huh? I once seriously considered a doctorate, but decided against it. I think most people should, in the interest of societal decency. But I digress.....I am always learning –and not the perfect writer, by any stretch– but allow me to recommend some things to writers submitting for publication:

  • One exclamation point is enough. Actually, don't use them at all. Really. "I couldn't believe it!!!!!!!!! I got a pony for Christmas!!!!!!!" Is never a good idea. In fact, I try to avoid exclamation points at all costs, even in dialogue. Your writing should create a tone and voice without needing that much help.
  • Don't give me a prologue, timeline, or excessive detail. Does it really matter that it was Thursday, May 24, 1971? Probably not. Or perhaps you could work this into the story via scene setting? Please? Also, it probably doesn't matter that the narrator makes six dollars an hour and spent three dollars on breakfast and has $936 in savings. Listing these things is especially bad. I. Don't. Care.
  • Show me, don't tell me. I'm so sorry to hear that Johnny was devastated. Now what else are you going to say for 4,000 words? Show me devastation in facial expressions, dialogue, physical movements, internal dialogue. Anything but one solitary sentence.
  • Don't tell a story from the point of view of an animal.
  • Don't write your entire story in italics. It gives me head-hurt.
  • Don't use the same distinctive adjective twice in one paragraph. It probably wouldn't hurt to put an entire page between them, in fact.
  • Cliches are ok, as long as you put a new spin on them with dynamic characters...but then they wouldn't be cliches, would they? I know the little girl who's daddy ignored her will grow up to be an alcohol-addicted-attention-whore. I get it.
  • Never put words in all caps. I know Elizabeth Gilbert did it in Eat. Pray. Love. and she's laughing all the way to the bank, true, but it still annoyed the shit out of me when she did it. Please see bullet #1 re: exclamation points. PLAIN OBNOXIOUS.
  • Run-on sentences and fragments are excellent. But only if you know what you're doing. Proceed with caution.
  • Listen up, literary journalists: I adore you. I am one of you. We get to be more subjective than news journalists. But please, please avoid going into an overly-emotional diatribe. For god's sake keep your writing clean, tight, and focused. Thank you.
  • Most importantly: remember, all rules are meant to be broken.